CV
At Practise, Aug ‘23. Photo: Erik Osberg.
Jude Browning (b. Edinburgh). Lives in Glasgow.
Recent Projects & Performances
Development Commission. Edited by Yve Lomax, Becoming Fireflies, forthcoming
The Participatory Clinic. Commissioned performance, curated by Shona McNaughton, Glasgow Women’s Library, May 2025
Ranters. Solo exhibition, 16 Collective. Supported by Creative Scotland Open Fund, March 2025
A Ripping Up. Written and performed with Natalie McGhee. Published by 16 Collective. Supported by Creative Scotland Open Fund, March 2025
My wool, my flax. Study Day on the Voice, curated by Adam Benmakhlouf, Hospitalfield House, October 2024
Take Me Somewhere: Studio Residency, October 2024
Sue. Audio for the Sound Sky project, edited by Anne Lesley Selcer. Published by Cone Shape Press, San Francisco, October 2024
Waterwings, French Street Studios, Glasgow
Letters from Vivienne. Performance-lecture in collaboration with Natalie McGhee. British Art Network. Commissioned by Tate and Paul Mellon. Kelvingrove Gallery, Glasgow, November 2023
My Body is a Weed. Commissioned online text, Covan Berlin, forthcoming
Development Commission. Live performance, Dissenter Space: Voices in Buildings, curated by Benjamin Owen, November 2023
Development Commission. Publication and live performance, edited by Beth Bramich (Womens Art Library and Animating Archives, Goldsmiths). Supported by Glasgow Visual Arts Grant, January 2022
The Unpickers. Written and performed with Corin Sworn. Mixed by Richard McMaster, Radiophrenia, February 2022
Hospitalfield Interdisciplinary Residency. Supported by The Hope Scott Trust, October 2021
She’s a Bit Much. Online research and publishing platform in collaboration with Catalina Barroso Luque. Supported by Creative Scotland Open Fund. Launched at Market Gallery, September 2021
Overlocking. Written and performed with Corin Sworn. Performance-lecture, Northumbria University, March 2021
Virtue-is-sic. Audio performance, Radiophrenia, November 2020
Domestic Decadence. Edited by Emma Wolf-Haugh and Market Gallery, Glasgow, August 2020
New Writing with New Contemporaries. Commissioned performances, Leeds Art Gallery & South London Gallery, November 2019 / January 2020
Flop to the Floor. Live Art Development Agency, London, November 2019
Artist Moving Image Festival (AMIF). Commissioned performance-lecture, Tramway, Glasgow, November 2019
Like an Angel Passing Through My Room. Performance and film screening with Anne-Marie Copestake. Commissioned by MAP Magazine, CCA Glasgow, September 2019
A Good Man. Live performance for Gestures: Writing that moves between, The Whitworth Art Gallery, Manchester, February 2019
Smoking Inside, Deptford Project Space, London, January 2018
The Perfect, perfect. Look. Performed and written with Amelia Barratt. The Old Hairdressers, Glasgow. Supported by Glasgow International, May 2018
His Routine. Commissioned performance for Ulay: so you see me, curated by Sophia Yadong Hao, The Cooper Gallery, Dundee, 2017
Curated Programmes & Publications
No Mere Will to Mastery. Invited Guest Editor, JAWS (Intellect Books). Special issue on Contemporary Feminist Practice, forthcoming
Associate Programmer, David Dale Gallery & Studios, Glasgow, 2020–2023
Research Residency, The Live Art Development Agency, London, May–June 2019
Pre-ramble. Curator. Supported by Creative Scotland Open Project Funding, 2018–2019
To write, to speak, to publish, to move. Creative Lab residency and public programme co-produced with Emmie McLuskey, CCA Glasgow, 2016
Act Natural: PaperWork, Issue ii. Co-editor with Catherine Smiles. Supported by Arts Council England, 2015
The Optics of Writing: Writing doing (the thing) not describing (it). Curated by X Marks the Bökship, London, 2014
Language is a Creek on the Stair. Live performance, Whitechapel Gallery, 2014
Teaching & Workshops
Teaching Fellow in Contemporary Art Theory, Edinburgh College of Art, 2024–ongoing
Tutor, Edinburgh College of Art, 2023
Visiting Lecturer, Glasgow School of Art, 2023–ongoing
Research Assistant for Professor Corin Sworn, Northumbria University, 2022–2023
Visiting Lecturer, Northumbria University, 2022–2023
Teaching Assistant for Dr Maria Fusco, Edinburgh College of Art, 2016–2017
Public Voices. Two-day writing and performance workshop exploring the ‘artist talk’ as performance. Co-organised with Naomie Pearce, 2017
Curatorial Studio, Sunday Writing Workshop. Led with Emmie McLuskey as part of To publish, to speak, to write, to move, CCA Glasgow, 2016
Morning Routines Under Microscopy. Workshop commissioned by The Cooper Gallery, Dundee, for members of the Tayside Deaf Hub, 2016
Academic Assistant for Dr Ruth Pelzer-Montada, Perspectives on Contemporary Printmaking (Manchester University Press, 2018), 2016–2018
Further Education
2015–2020 PhD Art, Edinburgh College of Art. Mouthwork: Public Address and Laboured Expression. Supported by the Edinburgh College of Art Scholarship. Supervised by Maria Fusco, Graham Fagen, and Florian Hecker
2012–2014 MFA Art Writing, Goldsmiths, University of London. Supported by The Carnegie Trust
2008 Artist Bookmaking, Painting, Fine Art Printmaking, Emily Carr University of Art and Design, Vancouver
2006–2010 BA (Hons) Painting and Printmaking, Glasgow School of Art
Awards
Visual Artist and Craft Makers Award (VACMA), Glasgow, December 2024
Curatorial Travel Grant, Venice Biennale, British Council & Creative Scotland, 2024
Stephen Palmer Travel Grant, Creative Scotland, 2024
A-N Artist Bursary, 2023
Arvon Writers Grant – Residential Writing Week: Libretto, 2023
Jonathan Ruffer Curatorial Grant, 2022 – for research into interdisciplinary artistic practices and rehearsal-based forms in Berlin & Amsterdam
Visual Arts Scotland Grant, 2023
VACMA Bursary, Glasgow, 2023
The Hope Scott Trust Bursary, 2021
Creative Scotland Open Fund, 2021–2022
Creative Scotland Open Project Funding, 2019–2020
SGSAH Cohort Development Fund Award, 2017
Edinburgh College of Art PhD Scholarship, 2015–2018
Carnegie Trust Bursary, 2013
Dissertation Prize, Glasgow School of Art, 2010